Pearl Bryant was born in Pensacola, FL, and grew up on the Gulf Coast. She earned her BFA in Studio Art with a focus in painting and drawing at Auburn University. She currently lives and works in Atlanta, GA.
Pearl’s recent paintings focus on themes of maximalism and reuse referencing mass consumption and aesthetics. She uses acrylic and nail polish palettes replete with stereotypically hyper-feminized colors and melds them with found objects and minute drawn details.
Her first solo exhibition debuted in 2019. Pearl’s piece H.V. II won Director’s Choice at Georgia Artists, a statewide juried exhibition. She has shown in juried and group exhibitions around Atlanta and Georgia since 2016, including work shown through both the Fulton County Fine Arts Acquisition Program and ShowerHaus Gallery in the recent large-scale group exhibition The High Rise Show in downtown Atlanta. Pearl recently exhibited work in Chroma, a juried exhibition in St. Charles, IL, as well as paintings and new works on paper at the Madison-Morgan Cultural Center in Madison, GA. She recently exhibited work in the forthcoming Valdosta National juried exhibition at Dedo Maranville Fine Arts Gallery at Valdosta State University.
In her daily studio practice, Pearl employs what she calls “trash walks” to discover the plethora of found objects she uses in her work. This practice aligns with her use of mindfulness and intentionality as methods to counter the frantic energy of life, as well as being rooted in an ecofeminist perspective.
Pearl was a founding member of The Bakery in southwest Atlanta in 2017. She served as the Gallery Manager for the in-house gallery from 2017 until May of 2019 when she stepped back to focus on her studio practice. During her time there, she planned the complete renovation of the exhibition space and wrote and implemented the organization’s first Request for Proposals, leaving 10+ months of exhibition programming curated at her departure.
At the beginning of this new decade, Pearl’s work is moving in a new direction. She is seeking residencies and grants for 2020 to fund and create space and time for new work. She began in 2019 to scale up her paintings dramatically and is now focusing on new, colorful sculptures made of found objects, evolving her work into its next iteration.